And since Melodyne works in a highly musical way, neither the vitality nor the naturalness of the performance is sacrificed in the process. Furthermore, the unbelievable flexibility of audio in Melodyne can be the launching pad for your boldest ideas. Notes, phrases, rhythms and noises in Melodyne become raw material that you can stretch, reshape, layer and transform — virtually at will. Whatever your system or workflow, Melodyne fits right in.
As a plug-in, Melodyne can be effortlessly integrated into your projects. Melodyne can also run as a stand-alone application, linked to your DAW via Rewire if required. That Melodyne sounds so good and is so simple to use is based on two things. The less important is the technology. The decisive factor is its understanding of the music. Melodyne identifies the notes and the relationships between them.
The benefits to you as a musician and producer include the famously superior sound of Melodyne and many other advantages that software lacking this understanding of musical contexts is incapable of offering. Melodyne offers you algorithms for every type of audio: The algorithm determines how the audio material will be interpreted and displayed. The Melodic and Polyphonic algorithms offer you, in the case of vocals as well as both mono- and polyphonic instruments, full access to the notes of which the sound is composed as well as to their musical parameters.
The Percussive algorithm offers you a time-sliced display suitable for drum loops, percussion instruments and noise-like, unpitched material. The time slices are edited in a very similar manner to the notes. The Universal algorithm is ideal for time-stretching or transposing entire mixes or polyphonic instrument tracks in cases where no access to the individual notes is required.
It is very sparing in its use of resources and it, too, slices up the matrerial along the time axis. Melodyne distinguishes between three different types of pitch parameter for each note: The fact that you can shift notes that are slightly out of tune to or towards the correct pitch, as well as — quite independently — controlling the amount of vibrato and pitch drift they exhibit, means that the sound remains natural at all times, with no tell-tale signs of having been edited.
You can make very precise, targeted interventions by hand or, if you prefer, take advantage of intelligent macros to make sweeping changes swiftly and easily. You can move notes continuously in pitch or else up and down the chromatic or some other scale. In this way, you can alter melodies and chords in an intuitive way and also copy parts with a view to doubling them at the unison or octave or creating counter-melodies, backing vocals or entire choral arrangements.
When you change the pitch of connected notes, the transitions between them are preserved. As a result, performances continue to sound authentic and credible — even though no trace of their original melodies may remain.
Each note can be moved forwards or backwards in time, lengthened or shortened, or quantized using the grid of your choice. Detailed editing is even possible of the timing within each note. With the Timing Tools, you can correct specific errors, enhance phrasing and shape the envelope and transients of notes. The Quantize Time macro affords a particularly flexible and user-friendly means of tightening up performances giving them a different feel.
Time stretching in Melodyne is note-based and dynamic: Transients, consonants and sibilants are not stretched or squeezed to the same extent, as the parts coincident with vowels that generally convey their pitch. This means you can make even extreme changes in the timing of notes without their transients becoming corrupted or their envelopes assuming unnatural forms.
Melodyne comes with powerful algorithms for the detection and editing of tempo. Taken together with the timing tools and macros, these offer you complete control over all temporal aspects of your recordings. The quantization of notes, and use of the time grid when moving notes, only make sense when the grid reflects the true tempo of the performance — including any fluctuations therein.
Which gives you the freedom inter alia to record without a click, as Melodyne can generte both a click and a time grid later, synchronized to the changing tempo of the performance. And naturally, you can tighten up sloppy timing, too, wherever necessary as well as speed up or slow down the tempo — even to a dramatic extent — for creative purposes. You can make notes louder or quieter simply by dragging with the Amplitude Tool. Double-clicking on notes with this tool successively mutes and unmutes them.
The ability to fine-adjust amplitude on a note-by-note basis is not only convenient but makes an important musical contribution: You can even tweak the volume of individual notes within a chord. When mixing, too, the ability to fine-adjust amplitude using Melodyne is an invaluable aid: The Sound Editor and Formant Tool provide unique ways of optimizing the timbre and achieving spectacular tone colors and effects.
Unlike a conventional sound processor, Melodyne knows the notes on each track and allows far more penetrating access to their sound — direct access, in fact, to their overtone structure. In this way, you can change the timbre of voices and instruments at the source, so to speak — through subtle, fine enhancements or far-reaching experiments in sound design. These might include, for example, impressing on one track the sound characteristics of another. Whereas with the Formant Tool you can edit notes individually, with the Sound Editor you are shaping the sound of the entire track.
Here, you can control with surgical precision the level of individual overtones or transform the spectrum systematically with an array of swift and efficient macros.
In the Note Editor, you can display as many tracks as you like simultaneously — some to edit, others purely for reference; you decide. This way, while you are making detailed adjustments and improvements, the overall musical picture remains clearly in view; and you can treat choral tracks or backing vocals as a unit as you work on their voice-leading, intonation or timing. Notes can be selected, edited, copied or deleted across track frontiers.
This type of simultaneous access to the contents of multiple tracks is afforded by Melodyne alone. No other tool displays your recordings and samples in such a clear and musically intelligible way, or lets you edit them with such precision and in such detail — now subtly enhancing, now radically transforming, now taking apart and completely reconfiguring your audio material.
Melodyne opens the way to a multitude of useful, fascinating and inspiring applications. Melodyne 4 tracks precisely the tempo of a live recording, with all its human inconstancy. The ensuing click keeps time with the musicians, not the other way around. And still, you enjoy all the practical benefits of a beat-based grid when working in your DAW.
Furthermore, you can curb excessive wandering in tempo without ironing-out the minor fluctuations that lend charm to a live performance. You can also synchronize recordings with quite different tempos or variations in tempo.
Melodyne 4 makes working with tempo dead simple, letting you work with greater freedom, in new ways. Depending upon the audio material, Melodyne employs either the Polyphonic Sustain strings, organs… or Polyphonic Decay pianos, guitars… Algorithm to obtain optimal sound quality in each case.
Download Melodyne Editor Amazing professional audio editor. Melodyne is one of the best audio editors around at the moment, and is capable of. 8/10 (13 votes) - Download Melodyne Mac Free. Download Melodyne for Mac right now, a unique audio editor. Melodyne's DNA technology allows you to.
Moreover, you can edit the note detection in far greater detail and therefore manage complex material still more effectively. So you can work even more closely and precisely on your music and obtain still higher sound quality from your editing. The Universal Algorithm in Melodyne is ideally suited to the time-stretching and pitch-shifting of entire mixes. The algorithm also delivers outstanding results with polyphonic material provided no access to individual notes is required.
With its variably configurable, single-window interface, you can adapt Melodyne perfectly to your own preferences and working requirements. Beneath the surface, state-of-the-art software technology is at work — optimized for the latest operating systems, fully compatible with both and bit environments. Give your production the benefit of this unique acoustic impression. In stand-alone mode and now finally in the plug-in implementation. The trial version can be used for 30 days.
Antony Peel. Software languages. Author Celemony Software GmbH. Updated This year. Last revision This year. Logged off Vote: Ok We use our own and third-party cookies for advertising, session, analytic, and social network purposes. Any action other than blocking them or the express request of the service associated to the cookie in question, involves providing your consent to their use.